A partir de que escuché Dying Star me vino a la cabeza la obsesión de conseguir la discografía completa de Celer, el proyecto en el que ahora participa únicamente Will Long. Ya conseguí varios discos, pero Celer es sumamente activo y por mes está lanzando tres e incluso cuatro producciones.

En Hell Detoured, ubicada cronológicamente detrás del grandioso Dying Star tenemos, como dice la misma descripción en la web de rural colours un loop que se repite incesantemente durante diecinueve minutos. Platicando con un amigo sobre el track, me pude dar cuenta que efectivamente no se siente la repetición por lo relajante del soundscape. Este Ambient me cae muy bien a propósito de una semana tan ajetreada en la cual sólo deseo escuchar música que apacigue mis nervios.

Hell Detoured quizás no sea el nombre más acertado para un disco que transmite un delicioso Ambient. El tiempo parece detenerse cuando lo reproduzco y sin dudas me deja una sensación de volver a reproducirlo.

El track se puede escuchar completo en el sitio del sello, así como comprar por una módica cantidad. Aprovechen y apoyen la buena música.

Link


Yougenji
〒113-0022
5-38-3 Sendagi Bunkyou-ku Tokyo, Japan

KualaukTable at 養源寺 vol.01
日程:2010年11月25日(木)
時間:16:00 open / start 19:00
場所:養源寺(本駒込徒歩6分)
出演:Opitope / Celer / Corey Fuller

Cuatro Jugones
2010.11.27 (Sat) @ loop-line (http://www.loop-line.jp/)
Yui Onodera+Celer+Junji Koyanagi(映像) / Will Long (Celer)
naph / Tomoyasu Takanishi (a.k.a. FLOWER TRIANGLE) / ono osamu

77 Color Symphony Presents:

2010.11.28

-first symphony-
Celer Japan Tour Special

AMPcafe Koenji

〒166-0003
東京都杉並区高円寺南4-30-1
03-5378-0382
http://www.koenji-high.com/ampcafe/about

1000yen+1 drink order
18:30 open 19:00 start

Yui Onodera + Celer
http://www.critical-path.info/
http://www.thesingularwe.org/celer

Hiroki Sasajima
http://hirokisasajima.blogspot.com/

Exportion
http://www.myspace.com/exportion

and special session.

今回のイベントは来場者数を30名様までとさせて頂きます。
ご予約数が定員に達し次第受付を終了させて頂きます。
尚、満員の場合、当日の入場をお断りさせて頂く場合がありますのでご了承下さい。

メール予約 exportion77(at)gmail.com お名前と人数をご連絡下さい。

2010年11月23日(祝) at Super-Deluxe (web)
OPEN 18:00 / START 19:00
adv. 3,000yen /door. 3,500yen (+ 1drink)
Live :
Machinefabriek / Liondialer (Greg Haines & Danny Saul) / Wink (Kleefstra|Bakker|Kleefstra) /
Yui Onodera + Celer + Yuki Izumi (Visual)

The first release on the label recently launched by Celer’s Will Long couldn’t have been better, including the wonderful cover photos by his late wife Dani, who participated in the recordings and to whom the record is dedicated, just like everything else Will does. I won’t be tedious in listing the sources utilized in this magnificent piece of music, although they’re almost entirely indicated in the press blurb. Some are immediately comprehensible, others are revealed with the passage of time and come out little by little, either as mild surprises or more shocking appearances – but never, ever in less than touching fashion. The remaining colours mesh in heartrending blurs of drones and aural rainbows. I’ll say this: Generic City – rarely a title thus distant from truth is found – is a work from which the masses of imitators should learn; not by taking its ideas and concepts and reproducing them as third-hand copies, but deciding once and for all to give up presumptuous dilettantism, retreat in silence and let the masters of the game perform their job.

Stillness is where this luminescent album is coming from, in spite of the fact that not a single second of emptiness appears throughout. The motionlessness we’re referring to is related to the total awareness of something that can’t possibly put into writing, perhaps experienced while looking at a valley at sunset, or walking on a shore by yourself or with a loved one, surrounded only by the wind and the sea wash. Or maybe to the realization that a man is alone, but is not alone. You can pretend enlightenment and declare of being someone who’s following “paths”, to the point of choosing a person as a spiritual guide and believe you’re doing the right thing. However, a beautiful, indescribable sound appearing from nowhere is the lone moment in which that connection with the unknown really happens, and there’s no way to fake this sensation by masking it through futile words or dramatic acting: legitimately vibrating beings are going to expose your lie. If the instruments to decode that manifestation are not present from the beginning, then it’s a flat kind of existence that those individuals are facing.

These four tracks are intense, delicate and useful for self-collection, becoming a necessary company after mere moments. Onodera and Celer managed to engender a true masterpiece which needs no stupid classification. To quote Long, “there is no replacement for the smell of a book, the spin of a CD player starting, or the consistently changing nature of our memories”.

Link

Just released in October, “Generic City” is a first album collaborated with Yui Onodera, who works on sound designs in Japan and overseas, and Celer, who makes a number of ambient and experimental music based in California. Their first album explores to create an “urban landscape” blending with field recorded sounds in each city. Celebrating their first collaboration, Yui Onodera & Celer will perform lives in Japan, as it will be Celer’s first visit Japan. SHIFT interviewed them who revealed each of their activity and the collaboration.

Read more

Вместе с перелетными птицами, с гомона которых начинается «Generic City», слушателям предстоит совершить путешествие, для которого, впрочем, совершенно не нужны визы и загранпаспорта. Наушники, скорее всего, тоже не понадобятся – музыка «Celer» давно уже раскрыла свой главный секрет. В наушниках традиционный для американского дуэта эмбиент может показаться немного резким и даже местами режущим слух, т.к. часто в нем преобладают довольно высокие частоты. Но если отпустить музыку «на волю», дать ей заполнить помещение без остатка, смешаться с его атмосферой, то тогда эффект будет просто поразительным, проверено опытным путем, в том числе и в данном конкретном случае.

В путешествия, как известно, лучше отправляется в компании, чтобы не было скучно. Американскому дуэту компанию составил японец Юи Онодера, чьи музыкальные идеи оказались идеально совместимыми с идеями Дэниель и Уильяма Лонгов. В багаже у музыкантов типовой набор, с помощью которого они создают свои произведения – это звуки гитар, скрипок, пианино, музыкальной шкатулки, лязг и шуршания стальных листов и прочего подручного хлама, а также программное оборудование, при помощи которого все различия между этими инструментами и предметами стираются, а сами звуки трансформируются в так называемый «soft minimal drone ambient», при помощи которого можно отправиться в странствие по внутреннему миру снов и фантазий, но мы ведь говорим о путешествии по вполне «земным» местам, верно? Верно, и на помощь авторам приходят многочисленные полевые записи, сделанные ими в разных уголках мира. Те самые тревожные крики куда-то спешащих по древнему зову птиц в самом начале соседствуют с хрустом льда, грохотом дождя по железной крыше и бурлением вод, затем на фоне вибрирующего, постоянно принимающего новые формы и объемы гула поочередно возникают звуки шуршащей листвы под ногами, отмеряющие проделанный путь до центра города с его уличным хаосом. Грохот подземки Лос-Анджелеса перетекает в шум Токийского аэропорта – беспокойные толпы людей перемещаются туда-сюда, следуя командам, передаваемым по громкой связи. В свое время «Celer» привезли много записей из Азиатских стран, и в «Generic City» крики уличных торговок Бангкока сменяются храмовыми песнопениями во славу Будды, чтобы растворится в самом финале в потоке теплого звука, несущего Вселенский покой и символизирующего окончание пути, возврат к тому первоисточнику, к которому мы неосознанно стремимся всю жизнь и в путешествия отправляемся, может быть, только для того, чтобы найти его и воссоединится с ним. Этот великолепный альбом воссоздает атмосферу городов и стран, которые слушатели могут никогда не увидеть воочию, но, благодаря стараниям музыкантов, способны представить их, включив свое воображение, понять, какой большой и таинственный мир нас окружает. «Generic City», гармоничный, идеально сбалансированный, наполненный неторопливыми сменами настроения и имеющий терпкий привкус экзотики диск заслуженно получает статус «претендент на звание лучшего альбома года».

Rough translation:

Together with birds of passage with which hubbub begins ” Generic City “, listeners should make travel for which visas and passports, however, are absolutely not necessary. Headphones, most likely, too will not be necessary – music “Celer” for a long time has already opened the main secret. In headphones traditional for the American duet эмбиент can seem little bit sharp and even places cutting hearing since it is frequent in it high enough frequencies prevail. But if to release music ” on will “, to allow it to fill a premise without the rest, to mix up with its atmosphere then the effect will be simply amazing, it is checked up by practical consideration, including in the given concrete case.

In travel, as is known, sends to the companies that it was not boring is better. To the American duet the company was made by Japanese Yui Onodera, whose musical ideas have appeared ideally compatible to ideas Дэниель and William Longov. In luggage at musicians a typical set by means of which they create the products are sounds of guitars, скрипок, the piano, a musical casket, a clang and rustling of steel sheets and other improvised stuff, and also the program equipment by means of which all distinctions between these tools and subjects are erased, and sounds are transformed in so-called ” soft minimal drone ambient ” by means of which it is possible to go to wandering on a private world of dreams and imaginations, but we in fact speak about travel in quite “terrestrial” places, truly? Truly, and to the aid of authors the numerous field records made by them in different corners of the world come. Those disturbing shouts somewhere birds hastening on ancient call right at the beginning adjoin to a crunch of an ice, a roar of a rain on an iron roof and бурлением waters, then on a background vibrating, constantly accepting new forms and volumes of a rumble serially there are sounds of rustling foliage under the legs, measuring the done way up to city centre with its street chaos. The roar of a underground of Los Angeles flows in noise of the Tokyo airport – restless crowds of people move there-here, following the commands transferred on loud communication. In due time “Celer” have brought many records from the Asian countries, and in ” Generic City ” shouts street торговок Bangkok are replaced by temple church chanting in glory of the Buddha that it will be dissolved in the ending in a stream of the warm sound bearing Universal rest and symbolizing the termination of a way, return to that primary source to which we неосознанно aspire all life and in travel we are sent to find only, maybe, it and will reunite with it. This magnificent album recreates an atmosphere of cities and the countries, which listeners can see never personally, but, owing to diligence of musicians, are capable to present them, having included the imagination to understand, what big and mysterious world surrounds us. ” Generic City “, harmonious, ideally balanced, filled by slow changes of mood and having tart smack of exotic the disk deservedly receives the status ” the applicant for a rank of the best album of year “.

Link

Despite a lack of rain, the river still flows. Fairly recently, I remarked on the surprisingly steady stream of Celer-related material which was still emerging. It has now become a cascade, tumbling down with such speed and volume that a new vessel has been created to hold some of the overflow: Two Acorns. Two Acorns is a new imprint curated by Celer’s Will Long and dedicated to Danielle Baquet-Long, which will focus (understandably) on “sentimentality, in all its forms”, which will include not just recordings, but also books. The first bottling from this freshly-assembled vat is a fine blend of Celer and sound artist Yui Onodera, labelled Generic City.

The two (or indeed three) never actually met during the recording process. This was a purely long distance relationship, with Onodera remaining in his native Tokyo, and Celer in Los Angeles. Given that both use the same modus operandi, namely combining field recordings from the city with electronics and acoustic instruments, the result smears one city into the other, emphasising their similarity as much as their differences. As much as the album is about Tokyo or Los Angeles, it is about the things that they, and indeed other cities share (hence the “Generic City” of the album’s title), and the links which bind them. The mall chatter and traffic hum could originate from either, as could much of the instrumentation: guitar, violin, cello and piano spill out softly from the speakers, lingering in the sustained spaces derived in some way from Japanese gagaku and minimalist western classical music, without explicitly referencing either. Only rarely in fact do the sounds obviously relate to one city or the other: the sound of prayer or schoolchildren singing can be fixed with some certainty, and the drones at times take on the feel of a giant Buddhist singing bowl. I’m on shakier ground when it comes to the flock of birds which opens the album: a number of species of birds migrate from the US to Japan, tracing a natural arc between the respective lands.

And of course it isn’t only the birds which would travel between the two: a large chunk of the recording emanates from the environs of an airport, with its final calls and runway roar, the sound of bridges being built between cities in the sky. Despite what the map may suggest, the album quietly makes the point that Tokyo and Los Angeles aren’t as far apart as they once were. As a music box twinkles softly in the background, this Generic City feels like home.

http://mapsadaisical.wordpress.com/2010/11/10/yui-onodera-and-celer-generic-city-two-acorns/

Press release:

Second vinyl LP from this formerly active American duo of Will Long and Danielle Baquet-Long, which also happens to be the second LP from Celer on Blackest Rainbow. Vestiges Of An Inherent Melancholy follows on from the recent pairing of releases on Basses Frequences and features 2 sides of unearthed recordings that were created between December 2006 and July 2008. These two sides find the duo creating some truly beautiful drone works with their use of an organic and electronic palette of instrumentation; cello, violin, pipe organ, electronics, tape, field recordings, samples, and mixing board. This really is a standout side from Celer, pulling together their variety of sounds to make a heart breaking collage of sounds falling between beautiful dream tones and heavier dark moments. Vestiges Of An Inherent Melancholy again pushes Celer further to the front of modern minimal compostion, proving that they were one of the most interesting, consistently outstanding, and intriguing acts around in recent years, creating some of the finest and most beautiful, fragile drone records around. The full experience of a Celer release is complete with accompanying titled fragmented sections for the side long pieces, and striking cover photography by Danielle. Limited to 500 copies in thick old style tip-on hardback jackets with LPs pressed on 140 gram virgin vinyl.

Out soon from Blackest Rainbow