The work of Will and Dani Long continues to stretch its willowed fingers into the next frontier, this time courtesy of Berlin-based Humming Conch. And much like the label from wince it came, Voyeur is an intimately aural affair that benefits from cusping the stereo speaker up against the ear and listening at a hushed volume. It whispers of airy waves and whistling breezes; the noise of silence. There are crests, as if playing with the proximity of the shell to the ear canal. This is a marriage of sheer perfection – an album that captures the beauty of every day, the electronic elegance of Berlin, and worldly melodies. And when I must dust the sand out of my pants after each listen, Voyeur proves an oasis in the middle of suburbia needed in times such as ours. I scavenge shells in its absence in hopes of recreating its real world symphonics. Alas, it cannot top this…
Archive for February, 2014
‘Zigzag’ preview video
‘Zigzag’ video premiere in Decoder Magazine
Celer‘s paced but prolific stream of drone music has been a consistence source of elegant and elegiac melancholia since the project’s inception in 2005. Nearly a decade later, the Tokyo-based project now helmed solely by Will Long continues its run of distant yet personal tone music while adding an element of rhythm to the mix, a surprisingly risky change to a seemingly perfected formula. While seeing the word “rhythm” associated with Celer might be a shock, this is more of a tidal rhythm played with a minimalist’s hand. As Long explains, quite simply, “Several years ago while living in the United States, I became interested in the minimalist music of the 1960′s and 1970′s, and new wave of the early 1980′s, with the steady pulses, the constant harmonies, and endless continuity.”
Long’s resulting experiment is a dynamic piece of drone music that somehow heightens the forlorn movements while simultaneously keeping the frigidly static scenery we’ve come to expect (and personally, demand) from Celer. Although the “digest” version available is less than two-minutes long, the tones capture the depth and creaking beauty of the full, 49-minute piece.
But there’s also a more personal element at play. After much delay, Zigzag‘s fruition coincided with Long hearing his first child’s heartbeat via ultrasound, and everything fell into place. As Long explains, “It seemed like such a fateful connection between the baby and the music. When new life begins, everything points toward the future.” Preorder Zigzag (out 3/5/14) via Spekk’s Bandcamp as soon as you can. First orders come with a free limited edition, handmade packaged bonus album that’s available only when getting the CD.