Throughout the last decade, Will Long continued handling the candle of light of that very special Celer sound even when darkness has swallowed it all. The consummation, content, and most importantly consistency of his output has remained the guiding torch in my nights as well. The Discogs page lists over 200 releases and 2019 sees already a few, on Patient Sounds Intland Avalance Recordings, but it is for his very own Two Acorns imprint that Long retains the best. The Chinese word Xièxie (谢谢), which translates to ‘thank you,’ accompanies Long on his journey to Shanghai, where memories, imagined or very real, flood all his senses with grey passing rain. The deep inner longing, regretful nostalgia, and glum melancholia permeate every soft wave in a mist of the sound, captured in fast-moving trains, alongside sad doorways, or places of hope, where waiting in vain we lastly close eyelids, and rest in a dreamless, forever remembered, but sadly invented, reflected deep sleep. “Everything moves faster than we can control. Days are just flashes, moments are mixed up but burned on film, and all of the places and times are out of order. If it could only be us, only ours. If it was ours, if it was us.” Be sure to read more words by Long on the Bandcamp release page to get a full sense of the atmosphere. The album was mastered by Stephan Mathieu with a cover design by Rutger Zuydervelt. Available as a 2×12″ silver limited edition, as well as on black vinyl, digital, and compact disc. A highly recommended meditation on the being and the past tense of all the memories to be.