Celer have a tireless work ethic. “In Escaping Lakes” was one of nearly a dozen albums released by the duo in 2009, and they currently have a number of 2010 releases to their name as well. In their apparently enduring effort to make the quietest ambient drone possible, they have crafted an album to match the minutiae of life– gentle breezes and flowing streams whispering tales of the Earth that span millions of years.

Time becomes imperceptible in the midst of the slow drones on “In Escaping Lakes.” The piece, roughly forty minutes, is comprised of a handful of smaller movements. Everything moves at a languid pace, slowly gliding along, never deviating from its uniform ambient wanderings. The collected piano, gong, strings, electronics, flutes, and more all come together in an act of audio osmosis, seamlessly forging a beautiful whole from the parts of many.

It’s difficult to write a review for such an ephemeral piece of music. The drones here seem to fade into existence, and then vanish just as quietly as they came. “In Escaping Lakes” is certainly beautiful, but its opacity demands a lot from the listener. 7/10 — Robert Oberlander